{"id":14425,"date":"2012-03-06T18:02:22","date_gmt":"2012-03-06T21:02:22","guid":{"rendered":"http:\/\/www.lpm-blog.com.br\/?p=14425"},"modified":"2012-04-02T16:18:43","modified_gmt":"2012-04-02T19:18:43","slug":"neal-e-jack-e-eu","status":"publish","type":"post","link":"https:\/\/www.lpm-blog.com.br\/?p=14425","title":{"rendered":"Neal e Jack e eu"},"content":{"rendered":"<p>J\u00e1 divulgamos aqui neste blog <a href=\"https:\/\/www.lpm-blog.com.br\/?p=14414\" target=\"_blank\">algumas can\u00e7\u00f5es<\/a> inspiradas em Jack Kerouac e Neal Cassady. Mas faltou uma das mais conhecidas (e importantes): &#8220;Neal and Jack\u00a0and me&#8221;, m\u00fasica da banda inglesa King Crimson que faz parte do \u00e1lbum <em>Beat, <\/em>de\u00a01982. <em>Beat<\/em> tem a marca da banda liderada por Robert Fripp: uma mistura de rock progressivo e new wave. Aqui, Fripp e o guitarrista e vocalista Adrian Belew tocam ao vivo a sua ode aos personagens principais de\u00a0<em><a title=\"blocked::http:\/\/www.lpm.com.br\/site\/default.asp?Template=..\/livros\/layout_produto.asp&amp;CategoriaID=152905&amp;ID=926371\" href=\"http:\/\/www.lpm.com.br\/site\/default.asp?Template=..\/livros\/layout_produto.asp&amp;CategoriaID=152905&amp;ID=926371\" target=\"_blank\">On the road<\/a><\/em>.\u00a0Abaixo, a letra para que voc\u00ea possa cantar junto.<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"452\" height=\"326\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/duvW4kednWI?version=3&amp;hl=pt_BR\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"452\" height=\"326\" src=\"http:\/\/www.youtube.com\/v\/duvW4kednWI?version=3&amp;hl=pt_BR\" allowfullscreen=\"true\" allowscriptaccess=\"always\"><\/embed><\/object><\/p>\n<p><strong>I&#8217;m wheels, I am moving wheels<br \/>\n<\/strong><em>Eu sou as rodas, estou movimentando as rodas<\/em><br \/>\n<strong>I am a 1952 studebaker coupe<br \/>\n<\/strong><em>Eu sou um cup\u00ea Studebaker 1952<\/em><br \/>\n<strong>I&#8217;m wheels, I am moving wheels moving wheels<br \/>\n<\/strong><em>Eu sou as rodas, estou movimentando as rodas movimentando as rodas<\/em><br \/>\n<strong>I am a 1952 starlite coupe&#8230;<br \/>\n<\/strong><em>Eu sou um cup\u00ea starlite 1952&#8230;<\/em><br \/>\n<strong>En route&#8230; les Souterrains<br \/>\n<\/strong><em>Na rota &#8230; dos subterr\u00e2neos<\/em><br \/>\n<strong>Des visions du Cody&#8230;Sartori a Paris&#8230;<br \/>\n<\/strong><em>Das vis\u00f5es de Cody &#8230; Satori em Paris &#8230;<\/em><br \/>\n<strong>Strange spaghetti in this solemn city&#8230;<br \/>\n<\/strong><em>Estranho espaguete nesta solene cidade&#8230;<\/em><br \/>\n<strong>There&#8217;s a postcard we&#8217;re all seen before&#8230;<br \/>\n<\/strong><em>H\u00e1 um cart\u00e3o postal que todos hav\u00edamos visto antes<\/em><br \/>\n<strong>Past wild-haired teens in dark clothing<br \/>\n<\/strong><em>Antigos selvagem de cabelos adolescentes em roupas escuras<\/em><br \/>\n<strong>With hands-full of autographed napkins we<br \/>\n<\/strong><em>Com as m\u00e3os cheias de guardanapos autografados<\/em><br \/>\n<strong>Eat apples in vans with sandwiches &#8230; rush<br \/>\n<\/strong><em>Comer ma\u00e7\u00e3s em vans com sandu\u00edches &#8230; pressa<\/em><br \/>\n<strong>Into the lobby life of hurry up and wait<br \/>\n<\/strong><em>Dentro do lobby da vida de apressar e esperar<\/em><br \/>\n<strong>Hurry up and wait for all the odd-shaped keys<br \/>\n<\/strong><em>Apresse-se e espere por todas as chaves de formas estranhas<\/em><br \/>\n<strong>Which lead to new soap and envelopes&#8230;<br \/>\n<\/strong><em>Que levam a novos sabonetes e envelopes&#8230;<\/em><br \/>\n<strong>Hotel room homesickness on a fresh blue bed<\/strong><br \/>\n<em>Saudades de casa no quarto de hotel com uma fresca cama azul<\/em><br \/>\n<strong>And the longest-ever phone call home&#8230;..no<br \/>\n<\/strong><em>E o mais-longo telefonema para casa&#8230;.. n\u00e3o<\/em><br \/>\n<strong>Sleep no sleep no sleep no sleep and no mad<br \/>\n<\/strong><em>Durma n\u00e3o durma n\u00e3o durma n\u00e3o durma e n\u00e3o pire<\/em><br \/>\n<strong>Video machine to eat time&#8230; a cityscene<br \/>\n<\/strong><em>V\u00eddeo cassete para comer o tempo\u2026 uma cena da cidade<\/em><br \/>\n<strong>I can&#8217;t explain, the Seine alone at 4am<br \/>\n<\/strong><em>Eu n\u00e3o posso explicar, o Sena sozinho \u00e0s 4 da manh\u00e3<\/em><br \/>\n<strong>The Seine alone at 4a.m&#8230;.Neal and Jack and me<br \/>\n<\/strong><em>O Sena sozinho \u00e0s 4 da manh\u00e3 &#8230; Neal e Jack e eu<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>J\u00e1 divulgamos aqui neste blog algumas can\u00e7\u00f5es inspiradas em Jack Kerouac e Neal Cassady. Mas faltou uma das mais conhecidas (e importantes): &#8220;Neal and Jack\u00a0and me&#8221;, m\u00fasica da banda inglesa King Crimson que faz parte do \u00e1lbum Beat, de\u00a01982. Beat tem a marca da banda liderada por Robert Fripp: uma mistura de rock progressivo e [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1164,120,122,3351,3350,448,171,3352],"class_list":["post-14425","post","type-post","status-publish","format-standard","hentry","category-sem-categoria","tag-beat","tag-beats","tag-jack-kerouac","tag-king-crimson","tag-neal-and-jack-and-me","tag-neal-cassady","tag-on-the-road","tag-robert-fripp"],"_links":{"self":[{"href":"https:\/\/www.lpm-blog.com.br\/index.php?rest_route=\/wp\/v2\/posts\/14425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lpm-blog.com.br\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lpm-blog.com.br\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lpm-blog.com.br\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lpm-blog.com.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14425"}],"version-history":[{"count":13,"href":"https:\/\/www.lpm-blog.com.br\/index.php?rest_route=\/wp\/v2\/posts\/14425\/revisions"}],"predecessor-version":[{"id":14906,"href":"https:\/\/www.lpm-blog.com.br\/index.php?rest_route=\/wp\/v2\/posts\/14425\/revisions\/14906"}],"wp:attachment":[{"href":"https:\/\/www.lpm-blog.com.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lpm-blog.com.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lpm-blog.com.br\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}